Copyrights

Content

3-5

From the Editors

6-7

Tai-Lue Performance in Contemporary Thailand: Devising a Local Romayana Tale for Today's Diverse Audiences

8-24

Attributions through Performing Arts in the Khasi Harvest Dance

25-42

Appropriation of Hindustani Musical Elements in Vocal Parts of Malay Ghazal

43-70

Experimenting the Modern Story "Mr. Tepis" to Balinese Topeng Masked Dance Theatre

71-85

A General View on Developments and Changes in Kheymeh Shab Bazi from the Qajar Dynasty to the Present

86-106

Piet Mondrian's Intuitive Neo-Plastic Art and Zen Notion of Mu-shin

107-126

Female Figures in the Thai and Malay Versions of the story of The Prince of the Conch Shell: A Comparison

127-141

The Bamboo Stupa of Wat Pa'O Ram Yen: An Experiment in Local Agency

142-155

Catherine Grant (2014). Music Endangerment, How Language maintenance Can Help

New York: Oxford University Press. 206 pp. ISBN 978-0-19-935218-0 (Paper)

156-159

Bernard Arps (2016). Tall Tree, Nest of the Wind: The Javanese Shadhow-play Dewa Ruci Performed by Ki Anom Soeroto - A Study in Performance Philology

Singapore: National University Press. 648 pp. ISBN 978-981-4722-15-5 (Paper)

160-162

Kapila Vatsyayan (2015). Bharata: The Natyasastra

New Delhi, India: Sahitya Akademi, 2018 pp. ISBN: 978-81-260-1808-9 (Hardcover)

163-165

Rowland, Kathy (Ed.) (2015). Staging History: Selected Plays from Five Arts Centre 1984-2014

Kuala Lumpur: Five Arts Centre. 384 pp. ISBN: 978-967-13594-0-2. (Paper)

166-170

Contributors

171-174

Information for Authors

175