Archival Anxiety and the Politics of Memory: A Decolonial Reading of Nadeem Aslam’s Season of the Rainbirds

Authors

  • Mubashar Altaf University of Sargodha image/svg+xml
  • Huma Batool Air University, Islamabad, Pakistan.

DOI:

https://doi.org/10.22452/

Keywords:

Memory Politics, Decolonial Critical Lens, Archive Anxiety, Epistemic Violence, Reimagining past

Abstract

Abstract

This paper explores archival anxiety and the politics of memory in Nadeem Aslam’s debut novel, Season of the Rainbirds (1993), through a decolonial critical lens. Set against the socio-political turbulence of 1980s Pakistan under General Zia-ul-Haq’s repressive regime, the novel centres on the accidental discovery of a mailbag lost in a train crash nineteen years earlier. These recovered letters function as a counter-archive—an unsanctioned repository of suppressed truths that threatens to destabilise the postcolonial ruling elite’s control over memory. Drawing on Achille Mbembe’s (2002) theorisation of the archive as a product of power, exclusion, and epistemic violence, the paper argues that Aslam dramatises how postcolonial societies inherit and reproduce colonial structures of knowledge control. The ruling elite’s frantic efforts to intercept and suppress the letters expose their archival anxiety, while figures such as the postmaster and the marginalised character Zafri stage small but significant acts of resistance. The paper concludes that Season of the Rainbirds offers a literary counter-archive that critiques epistemic violence and reimagines the politics of memory from a decolonial perspective.

Author Biographies

  • Mubashar Altaf, University of Sargodha

    Mubashar ALTAF is a Lecturer in English at the University of Sargodha, Pakistan, and a PhD Scholar in English Literature at Air University, Islamabad. He completed a research collaboration at the University of Leeds, United Kingdom (2024–2026). His research interests include decolonial studies, postcolonial and modern critical theory, cognitive poetics, conceptual metaphor theory, and Pakistani Anglophone literature. He has published several peer-reviewed articles on decoloniality, literary theory, and Pakistani Anglophone fiction in national and international journals.

  • Huma Batool, Air University, Islamabad, Pakistan.

    Dr. Huma Batool is Assistant Professor in the Department of English at Air University, Islamabad. Her research spans the fields of cognitive linguistics, cognitive poetics, psycho-neurolinguistics, and language and communication disorders. She holds a PhD in English Linguistics from the National University of Modern Languages (NUML), Islamabad. Her publications examine metaphor processing, embodied cognition, and linguistic impairments. She has contributed to various national and international journals in linguistics and cognitive studies.

References

Aslam, Nadeem. Season of the Rainbirds. 1993. Anchor Canada, 2013.

Altaf, Mubashar, and Huma Batool. “Strategies of Cognitive Decoloniality in Nadeem Aslam’s The Golden Legend.” Wah Academia Journal of Social Sciences, vol. 3, no. 2, 2024, pp. 450–471.

Altaf, Mubashar, and Huma Batool. “Navigating Modernity and Coloniality: Text World Theory Analysis of ‘Our Lady of Paris.’” Air University Erevna: Journal of Linguistics and

Literature, vol. 8, no. 2, 2024, pp. 37–57.

Altaf, Mubashar, et al. “Exploring Colonial Legacies: Resistance and Decoloniality in Nadeem Aslam’s The Blind Man’s Garden.” Panacea Journal of Linguistics & Literature, vol. 3,

no. 1, 2024, pp. 93–104.

Arshad, Sameera, and Ayesha Akram. “Tyrannizing Diversity: Feminist Politics and Sectarian Strife in Aslam's The Golden Legend.” European Journal of Gender Studies, vol. 5, no. 1, 2023, pp. 1–16. AJPO Journals, 7 Aug. 2023, https://doi.org/10.47672/ejgs.1551

Chauhan, Tariq Usman, et al. “Horns of Religious Othering: A Postcolonial Study of Nadeem Aslam's Season of the Rainbirds.” PalArch's Journal of Archaeology of Egypt/Egyptology, vol. 19, no. 1, 2022, pp. 1366–1376.

Daiya, Kavita. Violent Belongings: Partition, Gender, and National Culture in Postcolonial India. Temple UP, 2013.

Foong, Soon Seng and Gheeta Chandran, “(Re) Imagining ‘Dystopian Space’: Memory and Trauma in Yōko Ogawa’s The Memory Police.” South East Asian Review of English, vol. 57, no. 1, 2020, pp. 119–133. https://doi.org/10.22452/sare.vol57no1.8.

Gopal, Priyamvada. Literary Radicalism in India: Gender, Nation and the Transition to Independence. Routledge, 2013.

Idris, Memoona, et al. "Spectral Voices: A Discourse Analysis of Ghost Characters in Nadeem Aslam’s Fiction." Journal of Applied Linguistics and TESOL, vol. 8, no. 1, 2025, pp. 1-15. jalt.com.pk, https://jalt.com.pk/index.php/jalt/article/download/493/387.

Jalal, Ayesha. The Struggle for Pakistan: A Muslim Homeland and Global Politics. Belknap Press of Harvard UP, 2014.

Javed, Mubarra, and Naushaba Haq. “The Feudal Dynasty and Politics in Pakistan: A Socio-Political Analysis of Season of the Rainbirds in the Light of New Historicism.” Pakistan Journal of Humanities and Social Sciences, vol. 9, no. 2, 2021, pp. 75–81. Crossref, https://doi.org/10.52131/pjhss.2021.0902.0114

Khan, Jahangir, and Syed Hanif Rasool. “The Haunted Border: Trauma, Memory, and Neo-Imperial Violence in Nadeem Aslam’s The Wasted Vigil.” Pakistan Journal of Social Science Review, vol. 4, no. 4, 2025, pp. 22–34, https://pjssrjournal.com/index.php/Journal/article/view/84.

Kundera, Milan. The Book of Laughter and Forgetting. Translated by Michael Henry Heim, Faber and Faber, 1996.

Michałowska, Marianna. “The Art of the Document: Photography and Trauma.” Teksty Drugie, no. 2 (2015), pp. 55–69.

Mbembe, Achille. On the Postcolony. U of California P, 2001.

---. “The Power of the Archive and Its Limits.” Refiguring the Archive, edited by Carolyn Hamilton et al., Kluwer Academic, 2002, pp. 19–27.

Mathew, Nikhitha Mary, and Smita Jha. “Fear and Disillusionment: Cultural Memory and Trauma of the Indian Emergency in M. Mukundan’s Delhi: A Soliloquy.” South East Asian Review of English, vol. 60, no. 2, 2023. https://doi.org/10.22452/sare.vol60no2.4.

Mignolo, Walter D. “Delinking: The Rhetoric of Modernity, the Logic of Coloniality and the Grammar of Decoloniality.” Cultural Studies, vol. 21, nos. 2–3, 2007, pp. 449–514, https://doi.org/10.1080/09502380601162647.

Mignolo, Walter D., and Catherine E. Walsh. On Decoloniality: Concepts, Analytics, Praxis. Duke UP, 2018.

Maity, Rajesh Kumar. “Ecoprecarity and Necropolitical Sovereignty in Amitav Ghosh’s The Hungry Tide.” International Journal of English Literature and Social Sciences, vol. 11, no. 3, May 2026, pp. 51–55, https://doi.org/10.22161/ijels.113.8.

Nazir, Barirah, et al. "Brand Pakistan." The Routledge Companion to Pakistani Anglophone Writing, edited by Aroosa Kanwal and Saiyma Aslam, Routledge, 2018. Routledge Handbooks Online, https://doi.org/10.4324/9781315180618-29.

Nisar, Shazia, et al. "Exploring Racism, and Anxieties of Identity in Aslam's Selected Work."Global Language Review", vol. 6, no. 2, 2021, pp. 37–47. https://doi.org/10.31703/glr.2021(VI-II).05

Parry, Benita. Postcolonial Studies: A Materialist Critique. Routledge, 2004.

Sadhana Devi, Hajarimayum. “Ritual, Movement, and African Dramaturgy as Anti-Colonial Archive: A Study of The Trial of Dedan Kimathi.” Anusandhanvallari, vol. 2022, no. 1, June 2022, pp. 90–97.

Saeed, Humaira. “British Muslim Fictions: Interviews with Contemporary Writers.” Journal of Postcolonial Writing, vol. 49, no. 1, 2013, pp. 123–124. Taylor & Francis Online, https://doi.org/10.1080/17449855.2012.752555.

Said, Edward W. Orientalism. Pantheon Books, 1979.

Sethuparvathy, S., and Smita Jha. “Decolonising the Map Through Literary Cartography in Select Malayalam Novels.” South East Asian Review of English, vol. 61, no. 2, 2024. https://doi.org/10.22452/sare.vol61no2.3.

Shah, Azhar, and Muhammad Sheraz Khan Khattak. “Exploring Postcolonial Ramifications in Nadeem Aslam’s Season of the Rainbirds.” International Journal of Engineering Applied Sciences and Technology, vol. 9, no. 4, 2024, pp. 68–72. https://doi.org/10.33564/IJEAST.2024.v09i04.007

Shamsie, Muneeza. "Duality and Diversity in Pakistani English Literature." Journal of Postcolonial Writing, vol. 47, no. 2, 2011, pp. 119–121. Taylor & Francis, https://doi.org/10.1080/17449855.2011.557178

Trouillot, Michel-Rolph. Silencing the Past: Power and the Production of History. Beacon Press, 1995.

Published

30-06-2026