Archival Anxiety and the Politics of Memory: A Decolonial Reading of Nadeem Aslam’s Season of the Rainbirds
DOI:
https://doi.org/10.22452/Keywords:
Memory Politics, Decolonial Critical Lens, Archive Anxiety, Epistemic Violence, Reimagining pastAbstract
Abstract
This paper explores archival anxiety and the politics of memory in Nadeem Aslam’s debut novel, Season of the Rainbirds (1993), through a decolonial critical lens. Set against the socio-political turbulence of 1980s Pakistan under General Zia-ul-Haq’s repressive regime, the novel centres on the accidental discovery of a mailbag lost in a train crash nineteen years earlier. These recovered letters function as a counter-archive—an unsanctioned repository of suppressed truths that threatens to destabilise the postcolonial ruling elite’s control over memory. Drawing on Achille Mbembe’s (2002) theorisation of the archive as a product of power, exclusion, and epistemic violence, the paper argues that Aslam dramatises how postcolonial societies inherit and reproduce colonial structures of knowledge control. The ruling elite’s frantic efforts to intercept and suppress the letters expose their archival anxiety, while figures such as the postmaster and the marginalised character Zafri stage small but significant acts of resistance. The paper concludes that Season of the Rainbirds offers a literary counter-archive that critiques epistemic violence and reimagines the politics of memory from a decolonial perspective.
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